Tsubasa Kato invites four Welsh musicians to play the national anthem of Wales with a range of traditional instruments, include harp, crwth, tabwrdd, and pibgorn. The performance was site-specifically produced in a mountainous landscape in Wales, around the legendary megalith Maen Llia. When these players are tied together by ropes within a calculated distance, the movement of one individual will create a tension between each other – a tension that can intrude their playing of instruments. Being connected and controlled with and by ropes, the usual musical performance has been turned into unfamiliar forms of bodily expression. Each performer’s intended motion – to play and sing the right note, or to hit the right beat – may be restricted unexpectedly by a fellow team member, and at the same time, it can unintentionally become an obstacle for the others. The piercing sound of the hornpipe, the rustic, buzzy resonance of the lyre, crystalline tones of the harp and the angelic voice of the singer strive to come together to form the song – Hen Wlad Fy Nhadau (Land of My Fathers). Through the mechanisms of performance, it is interrupted and fragmented, suppressed and distorted, yet, unified in sprit, and lifted by their collective power.